Twins Page 12
Cooney’s books often depict realistic family issues, even in the midst of dramatic adventures and plot twists. Her fondness for her characters comes through in her prose: “I love writing and do not know why it is considered such a difficult, agonizing profession. I love all of it, thinking up the plots, getting to know the kids in the story, their parents, backyards, pizza toppings.” Her fast-paced, plot-driven works explore themes of good and evil, love and hatred, right and wrong, and moral ambiguity.
Among her earliest published work is the Fog, Snow, and Fire trilogy (1989–1992), a series of young adult psychological thrillers set in a boarding school run by an evil, manipulative headmaster. In 1990, Cooney published the award-winning The Face on the Milk Carton, about a girl named Janie who recognizes herself as the missing child on the back of a milk carton. The series continued in Whatever Happened to Janie? (1993), The Voice on the Radio (1996), and What Janie Found (2000). The first two books in the Janie series were adapted for television in 1995. A fifth book, Janie Face to Face, will be released in 2013.
Cooney has three children and four grandchildren. She lives in South Carolina, and is currently researching a book about the children on the Mayflower.
The house in Old Greenwich, Connecticut, where Cooney grew up. She recalls: “In the 1950s, we walked home from school, changed into our play clothes, and went outside to get our required fresh air. We played yard games, like Spud, Ghost, Cops and Robbers, and Hide and Seek. We ranged far afield and no parent supervised us or even asked where we were going. We led our own lives, whether we were exploring the woods behind our houses, wading in the creek at low tide, or roller skating in somebody’s cellar, going around and around the furnace!”
Cooney at age three.
Cooney, age ten, reading in bed—one of her favorite activities then and now.
Ten-year-old Cooney won a local library’s summer reading contest in 1957 by compiling book reviews. In her collection, she wrote reviews of Lois Lenski’s Indian Captive: The Story of Mary Jemison and Jean Craighead George’s Vison, the Mink. “What a treat when I met Jean George at a convention,” she recalls.
Cooney’s report card from sixth grade in 1959. “Mr. Albert and I are still friends over fifty years later,” she says.
Cooney in middle school: “I went through some lumpy stages!”
In 1964, Cooney received the Flora Mai Holly Memorial Award for Excellence in the Study of American Literature from the National League of American Pen Women. “I always meant to write to them, and tell them that I kept going!” Cooney says. “I love the phrase ‘pen woman.’ I’m proud to be one.”
Cooney at age nineteen, just after graduating from high school. (Photo courtesy of Warren Kay Vantine Studio of Boston.)
Cooney with Ann Reit, her book editor at Scholastic. Many of the books Cooney wrote with Reit were by assignment. “Ann decided what books she wanted (for example, ‘entry-level horror, no bloodshed, three-book series,’ which became Fog, Snow, and Fire) and I wrote them. I loved writing by assignment; it was such a challenge and delight to create a book when I had never given the subject a single thought.”
Cooney with her late agent Marilyn Marlow, who worked with her on all of the titles that are now available as ebooks from Open Road.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
copyright © 1994 by Caroline B. Cooney
cover design by Kathleen Lynch
978-1-4532-6430-0
This edition published in 2012 by Open Road Integrated Media
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EBOOKS BY CAROLINE B. COONEY
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